Lynn Ransom
Lynn Ransom joined Penn Libraries in February 2008 as the Project Manager for the Schoenberg Database of Manuscripts and is a founding member of the Schoenberg Institute for Manuscript Studies. Lynn holds a B.A. in art history from the University of the South and an M.A. and Ph.D. from the University of Texas at Austin in medieval art history, with an emphasis on manuscript illumination. Before coming to Penn, Lynn held positions in the manuscript collections at the Free Library of Philadelphia and the Walters Art Museum in Baltimore, MD. She also served as a researcher at the Index of Christian Art at Princeton University. She has published on manuscript illumination of the 13th and 16th centuries. Her current research interests involve the provenance of medieval manuscripts and the research potential of Name Authorites in Linked Open Data contexts.
Lynn oversaw the NEH-funded redevelopment of the Schoenberg Database of Manuscripts (2014-2017) into an open-access, user-maintained finding aid for the world's pre-modern manuscripts and served as the Principal Investigator for the US team on the Mapping Manuscript Migrations project, a Round 4 Trans-Atlantic Platform Digging into Data Challenge Award recipient (2017-2020). She is currently serving as the Director of Digital Medievalist (until 2022) and the President and Executive Director of Digital Scriptorium (2021-2023). She is also Co-Editor of the Schoenberg Institute's journal Manuscript Studies. A list of her other publications can be found here.
This talk will begin by revealing a stunningly beautiful and previously unknown detached miniature from a royal Book of Hours created by the court artist Jean Bourdichon around 1498. This chance find, which represents the Lamentation of the Virgin Mary, the Holy Women, and Saint John over the body of the dead Christ, is all the more momentous in that it completes a remarkable double-page opening: the folio, with its full-page miniature, originally faced the famous image of King Louis XII in prayer, surrounded by Saints Michael, Charlemagne, Louis, and Denis, now at the J. Paul Getty Museum in Los Angeles. The talk will examine the genesis of Louis XII’s sumptuous prayer book, its later history of dismemberment and dispersal, and its crucial place within the trajectory of Bourdichon, who served as official painter and illuminator to four successive French monarchs.
The second part of the talk will delve further into the genre of the double-page opening and its particular prevalence in manuscript illumination of the fifteenth century. Deceptively straightforward, images that run consecutively from a verso to a recto, thus forming a unified scene, are exceptional in the history of the hand-decorated book. More than mere diptychs, such images were used ingeniously by some of the most talented artists of the period to further the narrative force of their images, to interrogate the reader’s relationship with the page, and to create immersive environments that went well beyond the traditional, text-oriented bounds of book illumination.
A recording of this lecture is available on the SIMS YouTube channel.
More information about the SIMS Online Lecture Series can be found here.
Nicholas Herman is Lawrence J. Schoenberg Curator at the Schoenberg Institute for Manuscript Studies at the University of Pennsylvania. His research focuses on manuscript illumination and its intersection with other media in fifteenth- and early-sixteenth-century Europe. Before arriving at Penn in 2016, he held fellowships at the Université de Montreal, The Courtauld Institute of Art, and the Metropolitan Museum of Art. He also worked at the Morgan Library & Museum in New York (2007-10). He has contributed to numerous catalog and exhibition projects in Europe and North America, and his articles have appeared in Word and Image, Burlington Magazine, and Manuscripta. His book, Le livre enluminé, entre représentation et illusion was published in 2018.
